John Gardner | On Becoming a Novelist | #17

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“Novel-writing is not so much a profession as a yoga, or “way,” an alternative to ordinary life-in-the-world. Its benefits are quasi-religious—a changed quality of mind and heart, satisfactions no non-novelist can understand—and its rigors generally bring no profit except to the spirit. For those who are authentically called to the profession, spiritual profits are enough.” ― John Gardner, On Becoming a Novelist

john-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism . including . On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

John Gardner | On Becoming a Novelist | #16

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“Theoretically there’s no reason one should get [writer’s block], if one understands that writing, after all, is only writing, neither something one ought to feel deeply guilty about nor something one ought to be inordinately proud of.”

“The very qualities that make one a writer in the first place contribute to the block: hypersensitivity, stubbornness, insatiability, and so on. Given the general oddity of writers, no wonder there are no sure cures.” ― John Gardner, On Becoming a Novelist
john-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism . including . On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

John Gardner | On Becoming a Novelist | #15

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“When a writer first begins to write, he or she feels the same first thrill of achievement that the young gambler or oboe player feels: winning a little, losing some, the gambler sees the glorious possibilities, exactly as the young oboist feels an indescribable thrill when he gets a few phrases to sound like real music, phrases implying an infinite possibility for satisfaction and self-expression. As long as the gambler or oboist is only playing at being a gambler or oboist, everything seems possible. But when the day comes that he sets his mind on becoming a professional, suddenly he realizes how much there is to learn, how little he knows.” ― John Gardner, On Becoming a Novelist

john-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism . including . On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

John Gardner | On Becoming a Novelist | #14

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“Nothing is sillier than the creative writing teacher’s dictum “Write about what you know.” But whether you’re writing about people or dragons, your personal observation of how things happen in the world—how character reveals itself—can turn a dead scene into a vital one. Preliminary good advice might be: Write as if you were a movie camera. Get exactly what is there. All human beings see with astonishing accuracy, not that they can necessarily write it down.” ― John Gardner, On Becoming a Novelist
john-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism . including . On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

In Memorium for Sue Grafton “A – Y”

Detective novelist Sue Grafton has died in the night of 28th December 2017. The news brought tears to my eyes. I was in shock. She was only 77. Being a mystery lover makes me feel a strong writer for the Mystery Force has been taken away. R.I.P. Sue Grafton. You will be missed and we will be sad you were never able to complete the alphabet. As for “Z” it will forever remain a mystery.❣💨🎭🌹💔

Sue Grafton, a prolific author of detective novels known for an alphabetically titled series that began in 1982 with “A Is for Alibi,” has died. She was 77. Ms Grafton had cancer. Her daughter Jamie announced her death on the author’s website and FB page.

“The alphabet ends at ““Y is for Yesterday”” She was adamant her books would never become movies or TV shows. No ghost writers to finish the alphabet.”

“Out of the deep abiding love and respect for our dear sweet Sue, as far as we in the family are concerned, the alphabet now ends at Y.” She did how ever name the last book “Z Is for Zero” but lacked the energy to work out her plans for her final venture.
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“Ghosts don’t haunt us. That’s not how it works. They’re present among us because we won’t let go of them.” ― Sue Grafton, M is for Malice
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“Except for cases that clearly involve a homicidal maniac, the police like to believe murders are committed by those we know and love, and most of the time they’re right – a chilling thought when you sit down to dinner with a family of five. All those potential killers passing their plates.” ― Sue Grafton, A is for Alibi
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“We all need to look into the dark side of our nature — that’s where the energy is, the passion. People are afraid of that because it holds pieces of us we’re busy denying.” ― Sue Grafton
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Y Is for Yesterday (Kinsey Millhone – Detective) Sue Grafton was born in Louisville, Kentucky 24th April 1940 – 28th December 2017. She was a #1 New York Times bestselling author. Best known for her “alphabet series” featuring private investigator Kinsey Millhone in the fictional city of Santa Teresa, California. The following is a description of her last book “Y Is for Yesterday” by Sue Grafton

The darkest and most disturbing case report from the files of Kinsey Millhone, Y is for Yesterday begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate—and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns state’s evidence and two of his peers are convicted. But the ringleader escapes without a trace.

Now, it’s 1989 and one of the perpetrators, Fritz McCabe, has been released from prison. Moody, unrepentant, and angry, he is a virtual prisoner of his ever-watchful parents—until a copy of the missing tape arrives with a ransom demand. That’s when the McCabes call Kinsey Millhone for help. As she is drawn into their family drama, she keeps a watchful eye on Fritz. But he’s not the only one being haunted by the past. A vicious sociopath with a grudge against Millhone may be leaving traces of himself for her to find. . .

John Gardner | On Becoming a Novelist | #1

john-gardner-on-becoming-a-novelist-cover“We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.”

“As every writer knows… there is something mysterious about the writer’s ability, on any given day, to write. When the juices are flowing, or the writer is ‘hot’, an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another… Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from ‘inspiration’ or deep, flowing vision, and where he had to struggle along on mere intellect.” ― John Gardner, On Becoming a Novelist

john-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism . including .  On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

John Gardner On Life and Writing #39

Quote about John Gardner: “The late John Gardner once said that there are only two plots in all of literature. You go on a journey or a stranger comes to town. Since women, for many years, were denied the journey, they were left with only one plot in their lives — to await the stranger. Indeed, there is essentially no picaresque tradition among women novelists. While the latter part of the twentieth century has seen a change of tendency, women’s literature from Austen to Woolf is by and large a literature about waiting, usually for love.” ― Mary Morris, The Illustrated Virago Book of Women Travellers

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“It is the nature of stupid people to hide their perplexity and attack what they cannot grasp.” ― John Gardner, On Becoming a Novelist

“My advice to you, my violent friend, is to seek out gold and sit on it.”
― John Gardner, Grendel

Quote about John Gardner: “It was [John Gardner’s] conviction that if the words in the story were blurred because of the author’s insensitivity, carelessness, or sentimentality, then the story suffered from a tremendous handicap. But there was something even worse and something that must be avoided at all costs: if the words and the sentiments were dishonest, the author was faking it, writing about things he didn’t care about or believe in, then nobody could ever care anything about it.” ― Raymond Carver, Call If You Need Me: The Uncollected Fiction and Other Prose

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john-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism such as On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley