John Gardner | Quotations of a Novelist | #9

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No fiction can have real interest if the central character is not an agent struggling for his or her own goals but a victim, subject to the will of others. (Failure to recognize that the central character must act, not simply be acted upon, is the single most common mistake in the fiction of beginners.) We care how things turn out because the character cares, our interest comes from empathy, and though we may know more than the character knows, anticipating dangers the character cannot see, we understand and to some degree sympathize with the character’s desire, approving what the character approves.” ― John Gardnerjohn-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism. including. On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

John Gardner | Quotations of a Novelist | #8

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“As a general rule, highly rational writers (like Nabokov) write most comfortably in the morning, and mainly intuitive writers write most comfortably at night.”
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“Theme is not imposed on the story but evoked from within it- initially an intuitive but finally an intellectual act on the part of a writer.”
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“One cannot judge in advance whether or not the idea of the story is worthwhile because until one has finished writing the story one does not know for sure what the idea is; and one cannot judge the style of a story on the basis of a first draft, because in a first draft the style of the finished story does not yet exist.” ― John Gardner
john-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism. including. On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

John Gardner | Quotations of a Novelist | #7

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“What the young writer needs to develop, to achieve his goal of becoming a great artist, is not a set of aesthetic laws but artistic mastery. He cannot hope to develop mastery all at once; it involves too much. But if he pursues his goal in the proper way, he can approach it much more rapidly than he would if he went at it hit-or-miss, and the more successful he is at each stage along the way, the swifter his progress is likely to be. Invariably when the beginning writer hands in a short story to his writing teacher, the story has many things about it that mark it as amateur. But almost as invariably, when the beginning writer deals with some particular, small problem, such as description of a setting, description of a character, or brief dialogue that has some definite purpose, the quality of the work approaches the professional. Having written some small thing very well, he begins to learn confidence.” ― John Gardnerjohn-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism. including. On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

John Gardner | Quotations of a Novelist | #6

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“Character is the very life of fiction. Setting exists only so that the character has someplace to stand. Plot exists so the character can discover what he is really like, forcing the character to choice and action. And theme exists only to make the character stand up and be somebody.”
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“One of the things that should go into the writer’s notebook is a set of experiments with the sentence. A convenient and challenging place to begin is with the long sentence, one that runs to at least two pages.” ― John Gardnerjohn-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism. including. On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

John Gardner | Quotations of a Novelist | # 5

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“To put all this in the form of another traditional metaphor, aesthetic styles—patterns for communicating feeling and thought—become dull with use, like carving knives, and since dullness is the chief enemy of art, each generation of artists must find new ways of slicing the fat off reality.”

“Art is as original and important as it is precisely because it does not start out with clear knowledge of what it means to say.” ― John Gardner
john-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism . including . On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

John Gardner | Quotations of a Novelist | # 4

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“I think of the pastness of the past: how the moment I am alive in, prisoned in, moves like a slowly tumbling form through darkness, the underground river. Not only ancient history – the mythical age of the brothers’ feud – but my own history one second ago, has vanished utterly, dropped out of existence.” ― John Gardner
john-gardner-1933-1982
John Gardner (1933–1982) was born in Batavia, New York. His critically acclaimed books include the novels Grendel, The Sunlight Dialogues, and October Light, for which he received the National Book Critics Circle Award, as well as several works of nonfiction and criticism . including . On Becoming a Novelist. He was also a professor of medieval literature and a pioneering creative writing teacher whose students included Raymond Carver and Charles Johnson. When I worked at Bennington College in Southern VT I would often see him walking across the campus during the Summer Writing Workshops. Or when his white hair was flowing as he rode his beloved motorcycle on campus or away. – j.kiley

Colette | Film Trailer


Colette (2018)

Rating . . . R
Length . . . 1h 51m
Genre . . . Biography . Drama . History
Release in UK 25th January 2019

Colette is pushed by her husband to write novels under his name. Upon their success, she fights to make her talents known, challenging gender norms.

Stars: Keira Knightley, Eleanor Tomlinson, Dominic West

Director: Wash Westmoreland
Writers: Richard Glatzer (screenplay by), Wash Westmoreland